PRESS AND REVIEWS
“JAW-DROPPINGLY MESMERISING … IN MINA KAYE’S LEAD DEBUT, A STAR IS BORN.”
-Mayo Martin, TODAY
“The Rise and Fall of Little Voice is a star vehicle for actress Mina Kaye.”
- Corrie Tan, The Straits Times
“Mina Kaye is both a powerful singer and a fine actress and mimic.”
- Debbie Yong, The Business Times
“Mina Kaye seamlessly transits from one diva to another, commanding the stage with her powerhouse vocals and on-the-spot impressions. … The Young Starlet is truly a gem in the musical theatre scene…”
-Popspoken
Into the Woods
“Among the cast, Mina Ellen Kaye possesses one of the strongest voices, and has proven her acting chops time and time again with Pangdemonium’s musicals. This time around, she is particularly impressive for her ability to act past the prosthetic over the upper half of her face, while balancing stereotypical witch with great comic timing.”
- bakchormeeboy
“Another standout is Mina Ellen Kaye as the witch, a powerhouse who commanded the stage both in vocals and acting.”
- The Straits Times
End of the Rainbow
“End of the rainbow is all Mina Kaye’s show and she carries it”
--The Straits Times
“A career-best performance by Mina Kaye”
-bakchormeeboy
Urinetown
“Both Chow and Kaye share a fantastic onstage chemistry, their voices complementary and both strong in their own right…. Mina gets a chance to show off her incredible vocal range.”
-bakchormeeboy
“….the redoubtable Mina Kaye sings her heart out as his ingenue daughter Hope.”
- The Straits Times
Spoonful of Sherman
“…it is Mina Kaye who steals the show each time she performs, a singer and performer in a league of her own. Whether she’s whistling along to ‘A Spoonful of Sugar’ or showing off her range and vocal control in ‘Tin Whistle Tune’, Mina’s performances are always on point as a main or a support, hitting all her notes and rightfully garnering all eyes on her each time she steps onto stage from the sides, and alone is reason enough for seeing this show.”
-bakchormeeboy
The Last Five Years
“Mina Kaye brings a wonderful combination of poise and vulnerability to her Cathy.”
-Corrie Tan, The Straits Times
“Mina’s singing voice is charming as always, possessing an enviable sense of clarity to it that can only remind one of a Disney female lead character.”
-Buttons in the Bread
“Mina Kaye crooned, belted and chirped with seeming effortless ease.”
- Steven, The Mad Scene
“Mina Kaye effortlessly traversed the emotional roller coaster of Cathy, luring the audience into her psyche. “
- Just Watch Lah
Company
“This young actress is undoubtedly a star in the making.”
-PoachedMag
“Mina Ellen Kaye gives a powerful performance with her rendition of ‘Another Hundred People’.”
-Blogcritics
“Mina Kaye was a delight as the Filipino – more please!”
- Hawk Liu, The Mad Scene
Edges: The Musical
“Undoubtedly she is the star and a joy to watch.”
-PoachedMag
“Mina Kaye is nothing short of amazing.”
-Buttons in the Bread
“Mina Kaye stole the show. She belted the high notes with such effortless power.”
-Popspoken
“It was impossible to notice anyone else when [Mina Kaye] was performing on stage. She had the ability of singing and entertaining at the same time, not missing any note, not missing any cue.”
-Just Watch Lah
No Regrets
“Once again, the mood seems to lift with the songs, as Mina performs ‘L’accordéoniste’ (the accordionist)…Mina is evidently having fun with the piece, as she dances along, celebrating life while her voice soars with joy.”
-bakchormeeboy
Working
“I’ve come to expect hilarity whenever Mina Kaye comes on stage, and she did not disappoint … her comedic number It’s An Art was not only sung with aplomb, but also on roller-skates, while balancing a tray laden with wine glasses.”
-Ng Yi-Sheng, The Flying Inkpot
High Class
“The motley crew of five cooky tai tai wannabes (Mina Kaye, Audrey Luo, Siti K, Jo Tan and Serena Ho) are completely loveable…”
- Helmi Yusof, The Business Times
“[Audrey Luo, Siti Khalijah, Serena Ho, and Mina Kaye] drew laughter from their first appearance to last, notably due to their ability to bring the right amount of physical comedy into their performances.”
-Blogcritics
Broadway Beng
“[Sebastian Tan] was flanked tonight by a bevy of beautiful actresses in the form of Denise Tan, Jacqueline Pereira, Judee Tan, Mina Ellen Kaye and Siti Khalijah – all talented stage performers in their own right. … It was these ladies’ strong vocal abilities which allowed musical director Elaine Chan to pull off some of the more ambitious vocal arrangements…”
-Buttons in the Bread
“The chiobus, played by Denise Tan, Judee Tan, Jacqueline Pereira, Mina Kaye, and Siti Khalijah, were phenomenally delightful.”
-Popspoken
A Singaporean in Paris
